Monday, April 14, 2014

My Happy Place: Glendalough

I encountered quite a few spiritually significant places around Ireland, but one in particular stayed with me more clearly than any other: Glendalough. Founded by Saint Kevin in the 6th century, this monastery is nestled in the Wicklow Mountains and sits between two lakes, which is where the name comes from ("gleann da loch" means "glen of two lakes"). In its heyday, Glendalough was not only home to a monastery, but also to a settlement that grew up around it. Most of the remaining buildings at Glendalough, including several churches and an impressive round tower, date from the 10th to the 12th centuries. Glendalough was a key ecclesiastical site and a cradle of learning and culture until 1214, when invading Normans destroyed the monastery. Today, the site is part of the Wicklow Mountains National Park and draws visitors from all over the world.

Memories of Glendalough are among the happiest ones I have of my trip to Ireland. The whole site was breathtakingly lovely, with the spectacular views of the surrounding valley and the lakes on each side. A rushing river enhanced the feeling of peaceful closeness to nature. The buildings themselves were even intimate with nature: I took a photograph of a button fern growing out of the wall of St. Kevin's Church. I remember sitting on a rock in a little grove of trees beneath the round tower, taking a moment to appreciate the beauty of it. As I sat there, a bird landed in the tree above me, and all of a sudden I understood the simple pleasures of nature that the monks who lived at Glendalough must have enjoyed.
Glendalough felt strangely familiar to me. The stone walls, the little churches and mighty round tower, the trees, and the soft roar of the river all seemed very comforting and homey. And the peacefulness of it was incredible! Even though it was crowded, with two other tour groups in addition to my group, the site was relatively quiet. Perhaps the other visitors, like me, sensed the spirituality surrounding the site and wanted to respect it. Sacredness can actually be felt at some places, if its presence is strong enough. I definitely felt it at Glendalough.

Sometimes, words just don't seem to be enough to describe just how a place affects someone. Glendalough, the beautiful mountain monastery, was like that for me. I can describe the feelings all I like, but description can never get close to how moved I was by the site. Its intimacy with nature, its beauty and stillness, and its palpable sacredness touched me beyond words. I was desperately sad to leave Glendalough, but I left with an even stronger resolution to return one day.





Tuesday, April 8, 2014

The Hill of Tara: Where Myth Meets Life

In Ireland, myths seem a lot less distant from everyday life than they are in my home country, the United States. Myth becomes attached to ordinary places, making them extraordinary. But even within the "mythical" places of Ireland, you can see the presence of everyday people going about their lives.

The coexistence of myth and ordinariness was most present at the Hill of Tara. It is not just any old hill. In Irish myth, Tara was the dwelling place of the ancient Celtic gods, the Tuatha de Danaan ("too-uh-huh de dane-an"), and the entry point into the Land of the Ever Young. Tara holds an important place in Christianity, too: the hill is rumored to be the place where Saint Patrick first confronted the Celtic gods. Finally, Tara was the seat of the High Kings of Ireland, the mythical and/or historical rulers of the whole island. Choosing the Hill of Tara as a seat for the ruler of all Ireland made perfect sense to me once I saw it: our tour guide Dave Yeates told us that about 40% of the entire island is visible from the top of Tara.

The Hill of Tara is so swathed in mythology that I couldn't help but think of the stories I'd read before going. As I stood on top of it, I could almost see the kings of Ireland in their magnificent forts, celebrating Samhain or Beltaine. The look of the hill helped me visualize the myths: it is covered with little mounds, called raths, that are sites of mythological forts. A huge tree covered with scraps of clothing, coins, and other small offerings marks Tara as a "thin spot," a point where the boundaries between the human and fairy worlds are unfixed and the inhabitants of those worlds can mingle freely. I even felt the presence of myth and magic physically: when I left a couple of coins on the fairy tree, a branch that I'd sworn was nowhere near me poked me in the face! I later joked that the fairies were angry because I hadn't left them enough money.

And yet, at the same time, the Hill of Tara seemed quite ordinary to the locals. While we tourists were madly snapping photos and recalling old myths, a local woman was playing a game of tag with her two children. The kids skittered up and down the raths with a sure-footedness that suggested they'd been to Tara many times before. Another local, an elderly man, walked his dog nearby. Farmers are even allowed to use the hill as pasture, as evidenced by the ever-present piles of sheep poop. Tara was a place of wonder and mystery for me, as a foreigner, but it seemed that to the locals, it was a very interesting public park. Seeing everyday life rub shoulders so easily with myth and legend was a novel experience for me.

The Hill of Tara was a place where magic and life met. And they did more than just meet: they existed harmoniously side by side. It was this ease with which myth and life could mingle that made Tara such a special, memorable place for me. The entire site was a thin place, where the spirits of Irish legend could come to play with everyday mortals.

Saturday, April 5, 2014

In the Shadow of the Tower: Monasterboice

The Irish landscape is enchanting, partly due to the reminders of early Christianity that dot the hills. Monasteries were built all across the island, but only a few have survived. My tour group visited two particularly impressive sites: Monasterboice ("monster-boyss") and Glendalough. Monasterboice, just outside of Dublin, was built around 521 A.D. and remains one of the most complete early Christian sites. The area encompasses two small churches, a round tower, two fine high/Celtic crosses, and a small cemetery.

When our tour bus "Betsy" rolled to a stop outside of Monasterboice, my eyes were drawn to one of the site's most striking central attractions: the round tower. Round towers are generally slender and tapering, with cone-shaped tops that makes them look like they are wearing hats. The purpose of these towers is still unclear, although bell towers and places for monks to hide during Viking raids are popular suggestions. The round tower at Monasterboice has lost its "hat," but it still dominates the site, catching the eye and boldly announcing the monastery's location. I was amazed at how massive the tower was: I could not see the top of it, no matter how far I leaned back, and several of the stones were the size of my head!

The round tower may be the most striking feature of Monasterboice, but just as impressive are the two high crosses that stand at the foot of the tower. Also known as Celtic crosses, these monuments served an educational purpose. The pictures carved into the stone depict scenes from the Bible, and blend Christian imagery with ideas from ancient Celtic art. For example, many high crosses include swirls and circles, designs favored by the ancient Celts, along with Bible stories. The two crosses of Monasterboice were fantastic; the detail of the carvings was very fine, given that the crosses bear over a thousand years of wearing and erosion. Plus, I could see just how fitting the name "high cross" was: in my trip journal, I described them as having "the height of two Emilys (which is about 10 feet tall) and the width of one." These monuments stand as beautiful testimonies to the importance of art in early Christian Ireland.

Though my favorite of the two monasteries was Glendalough, Monasterboice had a charming simplicity and beauty to it. The sheer impressiveness of the round tower and high crosses was counteracted by the heaps of flowers strewn across the graves, some of them new, in the tiny cemetery. It was intimate and peaceful, a demonstration that spirituality can be both personal and public.